In November last year I got a call from a flustered Chinese magazine editor. ‘Would you be able to do an 800 word album review for our December edition?’ she asked, adding ‘by tomorrow?’.
Normally I would have turned this down as the money tends to be poor and the deadline was a bit abrupt, but the magazine in question was Rolling Stone China More… »
Posted by Ed Peto at 1:07 pm on February 5th, 2008.
The Chinese government is acutely aware that TV is the most effective medium for delivering key cultural and political messages. China Central Television (CCTV), the state-run national station, operates a range of channels, which, in the main part, are barefaced propaganda and state trumpet blowing. More… »
Posted by Ed Peto at 7:58 pm on November 23rd, 2007.
This article originally appeared as ‘Music In China : The Inside Story’ on The Register
How To Do Business In China, China CEO, The New Chinese Consumer… my shelves here in Beijing are stacked full of such books, all trying to throw some light on a country and market of seemingly endless allure to the west. A population of 1.3 billion people has marketeers around the world girding up their loins to do business here, each with a How To Do Business In China book tucked under their arm. More… »
Posted by Ed Peto at 11:07 am on November 5th, 2007.
A friend of mine, David Mitchell, has been a regular at his local pool hall in Beijing for going on a year and a half now. It didn’t take him long after his first visit to notice the lack of care put into the music choice in this vast twenty table room. The management had made the effort to get nice pool tables and cues and, in doing so, had earned themselves a loyal crowd of patrons, but they seemed to just stick the same CD of offensively bland wallpaper music on day in and day out. More… »
Posted by Ed Peto at 6:15 am on October 29th, 2007.
The Chinese independent music scene can be a hard nut to crack. Non-Chinese-speaking music fans have to be much more determinedly hands on in their approach than elsewhere in the world. Indecipherable band names, poorly recorded and hard-to-find albums and lack of English media coverage are just some of the barriers-to-entry, testing even the most resilient of music fans. More… »
Posted by Ed Peto at 8:10 pm on October 22nd, 2007.
Publishing is a tricky concept in China. The typical Chinese approach to intellectual property is that ‘ideas belong to everyone’, so while it is difficult to make money out of something tangible like a record or a download, it is VERY difficult to make anything from the intellectual property contained within it. More… »
Posted by Ed Peto at 7:37 pm on October 15th, 2007.
There’s nothing worse than hyping things up too early. While Billboard magazine saw fit to call Beijing one of the top 5 cities to watch for music in 2007, regular gig-goers here are slightly less sanguine on the subject. More… »
Posted by Ed Peto at 7:24 pm on October 6th, 2007.
The live industry in China has real potential. The annual Midi Festival in Beijing shows that there is a sizeable live audience for western derived independent music, with a crowd of 20,000 moshing, flag-waving, ironic t-shirt wearing, squiffy-hairstyled rockers per day over four days. More… »
Posted by Ed Peto at 5:15 pm on October 1st, 2007.
Digital is the hot topic in China. Due to the under-developed, pirate-dominated physical market and burgeoning mobile environment, China is on track to becoming the world’s testing ground for the digital age. More… »
Posted by Ed Peto at 4:48 pm on September 24th, 2007.
The 90% physical piracy rate obviously puts the kibosh on your average high street retailer. FAB, the only significant legal high street chain is really out there on its own. One large distributor lists only 86 other stand-alone legitimate stores stocking independent content, servicing the whole of China More… »
Posted by Ed Peto at 10:25 am on September 17th, 2007.
Due to piracy and negligible airplay royalties, the western record label model simply does not work in China. In most cases, domestic companies take over an artist’s entire life – Records, management, publishing etc. There is so little money to be made from simply exploiting a master that a label has to ensure it doesn’t miss any area of income in order to survive. More… »
Posted by Ed Peto at 9:28 am on September 10th, 2007.
Every man and his dog is looking to China as the ‘next big thing’, but should the western music industry executive also be packing Fido into air freight and de-camping to the Middle Kingdom? Before anyone considers investing energy in China, it is important to be aware of just how different the industry is over here. More… »
Posted by Ed Peto at 12:05 pm on August 31st, 2007.